I approached Paul Missal, a founding member of the Blackfish Gallery, at the opening of the gallery's 2003 Recent Graduate Show--I was pleased to have a painting in that show. I asked him two favors: would he sit for me for a series of portraits of art dealers called Critics Critiqued? And would he talk to me about the painting I had up in the show? He graciously agreed to both my requests.
His remarks about my style were surprising to me at the time. He told me that the eyes in my painting seemed to be peering out from behind a mask of thatch. I had purposely underworked the eyes in the painting on the advice of the venerable Hess and, at first, I found it difficult to take anyone disagreeing with him.
To this day, this remains one of my favorite instances of the subjectivity of art: it was also a damned good point that Missal made.

To learn more about the making of Critics Critiqued, please visit my blog.