Face Making

Artist Gwenn Seemel’s bilingual blog about all the faces she makes while painting faces.

Le blog de l’artiste peintre franco-américaine Gwenn Seemel. Les articles sont en anglais et en français, et souvent ils sont bilingues.

The barter economy

Thursday 23 July 2009 - Comments / Commentaires (0)

For fifteen years now, I’ve been going to Dr. John Roberts for my dental care.  In 2007, my dentist took an interest in my work and offered me a trade: he would commission a portrait of himself and pay me in fillings and check-ups. 

Though I’d thought about doing trades like this before, I’d never actually done one.  And it was only when Dr. Roberts proposed the swap that I realized why.  The barter economy is based not on connecting with the right people but on building lasting relationships.  In this economy, it isn’t just about who you know: it’s about how long you’ve known them.



painting a portrait

As I started work on Dr. Roberts’ portrait, I was keenly aware of my color choices. 



painting a portrait

My dentist is not that particular about color…



painting a portrait

...but, at some point in our conversations about my work, he’d mentioned that his wife did not love the bright candied colors of some of my portraits. 



painting a portrait

In my years of doing commission work, I’ve learned to pick up on cues like this one.



painting a portrait

It’s a useful skill business-wise, but also aesthetically. 



painting a portrait

While I tend towards fresh and even outrageous colors if left to my own devices, I am always happy to have an excuse to work with a different palette.



painting a portrait

And I much prefer taking color direction from clients and their loved ones to the alternative of diving into a rainbow and hoping to resurface with an array that suits the subject.



painting a portrait

Once I learned that mauves and taupes were themes in Dr. Roberts’ home, it was simple enough to steer my mixing in that direction.



painting a portrait

The most complicated part of this portrait was getting the friendly attitude of my dentist’s neck and shoulders right.



painting a portrait

And including his special glasses meant showing a lot more shoulder and fabric than I usually do.



painting a portrait

Every portrait I paint presents me with a new set of challenges and lessons, but this one went well beyond the usual difficulties of capturing a likeness and a person.



Dr. John Roberts

Gwenn Seemel
Dr. John Roberts
2009
acrylic on canvas
24 x 18 inches
(detail below)



Dr. John Roberts

Perhaps the most educational part of my experience with this portrait was the double interview that my dentist and I did with JoAnn Boatwright of the Hillsboro Argus.  I got to listen in as the reporter asked Dr. Roberts about how he felt about the portrait—just the sort of feedback I love to hear. 



artist Gwenn Seemel and Dr. John Roberts, photo by JoAnn Boatwright

photo by JoAnn Boatwright with the Hillsboro Argus

For more information about what my dentist thinks of his likeness, see Boatwright’s article.


RELATED ARTICLES:
- Making a living is like making a painting
- How to make art on commission
- Discounting art


CATEGORIES: - Process images - Practice -


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