Face Making

Artist Gwenn Seemel’s blog about all the faces she makes while painting faces.

Le blog de l’artiste peintre franco-américaine Gwenn Seemel.

On view finding and voice finding

Tuesday 17 June 2008 - Comments / Commentaires (0)

My father gave me my first camera when I was sixteen years old, a Pentax ME with a complete set of lenses.  I promptly named the camera George and, for a few years, George and I were inseparable.  Last year, I gave in to the changing world and bought George Junior, a digital SLR.  My new camera has reinvigorated my photo-taking self, and I’m reminded of how important a camera can be for keeping my eye sharp. 



light bulb in the sand on the beach

It helps me to see the details I might otherwise overlook, and, too, it teaches me to create a composition quickly, at the click of a shutter!  I take many photos of one subject in many different ways and, with some amount of trial and error, I determine the best composition for the final image.  I can apply these formal discoveries to my paintings. 



photo of dry plant

I’m a forest-hiker and beach-walker, and that’s where I usually find my eye-sharpening subjects. 



branches through sand

Plants are fairly still, allowing me to try multiple compositions without movement and facial expressions being factors in the image.



trillium flower

I can pay more attention to the background when framing these photos. 



salmon berry flower

At the same time, plants and other finds made on a walk are not in-studio set-ups.  Instead, they are doing their thing and I get to figure out how to react to them with my camera.  They give me a problem to solve: infinitely more instructive than me giving myself a problem to solve. 



photo of two people

Several people together allow me a similar kind of freedom.  When I am photographing and interviewing one person alone, I’m concentrating on at least two things at once—manipulating both the camera and the atmosphere.  I have to take pictures and, at the same time, help the subjects forget (as much as possible!) that the camera exists.  If there’s more than one person, the subjects can interact, and, at the very least, they can just be—like flowers and plants—allowing me to react to them with my camera.



Jesse Morgan Young

Here I was photographing two of my favorite subjects, Megh and this dashing fellow, Jesse



Jesse Morgan Young

I mean to make a You Bag for Jesse so I needed some current images of him. 



two people, strange expressions

Megh was kind enough to keep him talking while I snapped away, and the synergy of the three of us plus camera came up with some pretty outrageous and lovely moments.


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CATEGORIES: - Practice -


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