Face Making

Artist Gwenn Seemel’s bilingual blog about all the faces she makes while painting faces and other things.

How to make portraits more interesting

2012 . 09 . 04 - Comments / Commentaires (2)

Portraits tend to be most interesting to those who know their subjects, but there are a few ways to make this kind of painting more appealing to a wider audience.



painted portrait of a woman

Gwenn Seemel
Claire
2005
acrylic on bird’s eye
24 x 20 inches

1) Care about the subject.

Portraits are really about the sitter and the artist.  Instead of just being about the subject, they actually represent the intersection of two lives.  This means that the chemistry between sitter and artist is on display, and also that it’s useful for an artist to be a little bit in love with the subject.  In the case of this portrait of my dear friend Claire, that chemistry is in the gift of perspective that comes from really listening to another human being and involves hours spent re-conceiving the world through each other’s eyes.



Kirk Reeves

Gwenn Seemel
The Note Is The Winding Path It Takes
2007
acrylic on canvas
24 x 24 inches
(To learn more about the making of this painting, visit this post.)

2) Populate the background.

The space surrounding the likeness can be just as telling about the subject as the likeness itself.  With this portrait, for example, a viewer who does not know the sitter could still connect with his trumpet or even with his hat.



a different kind of Superman

Gwenn Seemel
This Looks Like A Job For A Chicano! (Mexican-American)
2008
acrylic on bird’s eye
19 x 25 inches
(To learn more about the making of this painting, visit this post.)

3) Create an allegorical portrait.

Allegorical portraits are a combination of the likeness of a specific person with the attributes of a mythical character.  In the case of This Looks Like A Job For A Chicano! a Mexican-American man has merged with Superman to become a new kind of hero.  For more about the history and practice of allegorical portraiture, go here.



portrait painting

Gwenn Seemel
Brutally Honest
2006
acrylic on canvas patchwork
20 x 20 inches

4) Group portraits together with themes.

Portraits on their own often look like the one above: appealing enough, but not exactly gripping.  That said, interesting things start to happen when this same painting is put in the context of several others with similar origins.  Suddenly, the portrait of a man I met online becomes a series about the power dynamics present in the traditional heterosexual relationship roles.


RELATED ARTICLES:
- On making better art
- Portraiture’s profitability
- Portrait mistakes / Les erreurs à ne pas commettre dans un portrait


CATEGORIES: - Portraiture - Practice -



Vimeo     YouTube     Twitter     GooglePlus     LinkedIn     Pinterest     Facebook     RedBubble     Bloglovin


(2) Comments / Commentaires: How to make portraits more interesting

-- Sandra B. -- 2012 . 09 . 19 --

Looked at your photo…then the portraits here.
My first impression was - wow - Ever notice how they all kind of have a little bit of yourself in each one? (This is a compliment.)

--- -- - --- - ---- - ---- - --- - -- ---

-- Gwenn -- 2012 . 09 . 19 --

I’m sure that’s the case!  I think if I don’t “understand” some part of the structure of someone’s face, I’m more likely to fill in with bits of me!

--- -- - --- - ---- - ---- - --- - -- ---

Add a comment / Ajouter un commentaire

Name / Votre nom:

Email / Votre e-mail:

(Visible only to Gwenn / Visible uniquement pour Gwenn)

URL / Votre URL:

(Optional / Facultatif)

Comment / Commentaire:

(You can use / Vous pouvez utiliser: < a >, < b >, < i >)

 Remember me for next time. / Retenez mes coordonnées.

 Email me new comments. / Abonnez-moi au fil de discussion.

Please enter the characters you see below / Veuillez rédiger le mot que vous voyez ci-dessous: