Face Making

Artist Gwenn Seemel’s blog about all the faces she makes while painting faces.

Le blog de l’artiste peintre franco-américaine Gwenn Seemel.

The artist’s self-esteem

Thursday 11 February 2010 - Comments / Commentaires (4)

When I started out as an artist seven years ago, I often found it difficult to make work or to promote it.  I was paralyzed by a severe lack of self-esteem and an unhealthy inclination to overanalyze my every action. 

Then, at some point, I discovered a neat little trick that allowed me to believe in my work fully while still doubting the rest of myself.  I separated my work from my self.  I stopped looking at my paintings as an extension of me and started seeing them more as objects with their own lives to lead. 

The split allowed me to make work confidently without having to worry about the parts of me that I didn’t want to expose.  And, as my confidence about my work grew, I let it feed my personal confidence, helping me to became a more self-assured person in other areas of my life. 

All in all, my division between my work and myself isn’t as absolute as it once was, but I’ll never fully give it up because it keeps the more vulnerable parts of me safe.  Most importantly, the split means that criticism of my work doesn’t feel like criticism of me.  And that, in turn, means that I can listen to commentary—whether written and formal or spoken and casual—a lot more objectively.  I can more clearly see a critic’s biases; I can digest opinions as valid and informative without letting them take over my future work.  And that means that I can grow as an artist.



Gwenn Seemel's self-portrait from Subjective

Gwenn Seemel
Artist
2009
acrylic on canvas
36 x 36 inches

Over the years, I’ve had some pretty strange things said about my work in the public forum.  For example, I have been told that I should have slept with my subjects—in this review for this show—and one of my subjects was quoted in the paper as saying “I hate the thing” in reference to his portrait.  And though I don’t agree with many of the criticisms leveled at my work, the split between self and work stops me from getting defensive and tuning out my critics.  Because I don’t take comments about my work personally, I can learn from what is said.


RELATED ARTICLES:
- Change
- Just this side of prostitution
- Everybody’s a critic.


CATEGORIES: - Business of art -


(4) Comments / Commentaires: The artist’s self-esteem

shannon kringen...

very helpful words for my own path. thanks for expressing this here.

--- -- - --- - ---- - - --- ----- -- -

efunkamericana...

this is another excellent insight from you

--- -- - --- - ---- - - --- ----- -- -

kathryn dart...

Wow, this is such a great insight! I find this very difficult to do, and it’s great to see that it’s worked for you.

--- -- - --- - ---- - - --- ----- -- -

Gail R....

Oh so true! As a parent and someone who does creative works I see it as the same thing.  I made both and yet when I see people ‘sizing them up’ I have to choke back that feeling of ‘we are one and anything you say, feel about the other, you say, feel about me’.  I’ve not managed to make the break yet (from the art or the kids!), but I see that it’s true and necessary.  Something to work toward.

--- -- - --- - ---- - - --- ----- -- -

Add a comment / Ajouter un commentaire

Name / Votre nom:

Email / Votre e-mail:

(Visible only to Gwenn / Visible uniquement pour Gwenn)

URL / Votre URL:

(Optional / Facultatif)

 Remember me for next time. / Retenir mes coordonnées.

 Email me future comments. / M’abonner au fil de discussion.

Please enter the word you see below / S’il vous plaît rédiger le mot que vous voyez ci-dessous: